Carola Darwin

Classical singer
Lecturer and writer

Photo ©Emma Darwin

About Carola Darwin

Carola Darwin combines a career as an opera and concert singer with research and writing about music. She trained at Royal Northern College of Music, and went on to gain a PhD from the University of Sheffield. She is now an Academic Professor at the Royal College of Music, where she teaches Music History.

Carola has recently been selected by the BBC and AHRC to research the life and work of Johanna Müller-Hermann, a composer who lived in Vienna in the early 20th century. This is part of the Five Women Composers project. She is currently commissioning a song-cycle by Cheryl Frances-Hoad, based on poems about evolution and the environment. She is also working on a book The ‘I’ of the Other: Women, opera and autonomy in Mahler’s Vienna.

Operatic roles include Fox (The Cunning Little Vixen, Surrey Opera), Countess (The Marriage of Figaro, Opera! Festival, Netherlands), Berta, (The Barber of Seville, Opera East) Sofia (I Lombardi, UCOpera) She has also sung Governess (The Turn of the Screw) Mimi (La Bohème) Donna Elvira (Don Giovanni), Pat Nixon (Nixon in China). Recent concert work includes a series with the Hermitage String Quartet, Héloise in Maconchy’s Héloise and Abelard, and solos for Park Lane Group’s Celebration for Elizabeth (Purcell Room). ​ Her multi-media one-woman show The Vienna Show: Music and Gender in fin-de-siècle Vienna has been seen in Winnipeg, Canada and also in London, Sheffield and Liverpool.

News highlights

‘Graceful’, ‘accomplished’ and ‘imaginative’ – The Times review of Endless Forms Most Beautiful

On 18th October I premièred  Endless Forms Most Beautiful, a new work for soprano and string quartet, with texts about evolution and the environment, which I commissioned from the up-and-coming British composer Cheryl Frances-Hoad. The cycle was praised in The Times as ‘shrewd, witty and imaginative’, the Gildas Quartet’s playing was described as ‘graceful’ and the review described my singing as ‘accomplished’. Contact me if you’d like to read the full review. And come and hear the piece at Kettle’s Yard, if you haven’t already.

28th November 2019, 7.30pm

Kettle’s Yard, Cambridge
A further performance of Endless Forms Most Beautiful by Cheryl Frances-Hoad, with the Gildas Quartet. The concert will include works by Purcell, LeFanu and Mozart ‘Dissonance’ Quartet.

Women in Music Leadership

I’ve been asked to contribute to The Routledge Companion to Women and Musical Leadership: The Nineteenth Century and Beyond. My chapter will be on the Cuban-American conductor Odaline de la Martinez, who was the first woman to conduct a complete Prom. Since then, she has been a tireless champion of music by women, as well as contemporary composers in general, and the music of the Americas .

Johanna Müller-Hermann

The work of Johanna Müller-Hermann (1868-1941) has been almost completely forgotten, although in her life-time she was a highly respected composer and an important part of the Viennese musical scene. In 2017, Carola was selected for a BBC/AHRC to seek out her work and prepare it for broadcast on Radio 3.

See Research and Writing for more information, or view and download the PDF below.


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